The Eagles- September 13, 2022- Canadian Tire Centre-Ottawa, Ontario

The first time I saw the Eagles was during the “Hell Freezes Over” tour in 1994 at Exhibition Stadium in Toronto. The show was opened by a then relatively unknown Sheryl Crow who was inducted into the Rock and Roll Hall of Fame just this year. I remember two things about that concert; being on the much younger side of audience demographic and the constant and at the time illegal smell of weed wafting through the air for the duration of the show.

Twenty-eight years later a buddy of mine asked if I had any interest in joining him for their Hotel California tour since he had the ability to score a couple of box seats the Canadian Tire Centre in Ottawa. Needless to say, I agreed without hesitation. There is nothing over special about the venue; it’s a typical multifunctional arena hosting Senators games and larger indoor concerts. It’s biggest problem is the fact it’s located in Kanata which is a good jaunt outside downtown Ottawa making for an awkward commute especially if you plan to have a few drinks. Parking is also a pain in the ass and there is a surprising lack of entertainment infrastructure within proximity of the venue itself.

 Of course, a few things have changed since 1994…most notably my progression up the age spectrum compared to 1994 and the passing of Glenn Frey in 2016 and the subsequent addition of Vince Gill as a honorable member of the band a year or so later. At times, they have also Glenn’s son Deacon join them on some tours. Over the years, the Eagles are known for producing a rather long show and their advanced age hasn’t changed that. The show began with a full revival of the Hotel California album, in order, complete with a orchestra and theatrical turntable vinyl flip by Don Henley after Wasted Time. I paid special attention to Joe Walsh during the Hotel California solo remembering that he once said it was the hardest he’s ever had to perform. One another note, tt’s hard to imagine that the working title of this song was once “Mexican Reggae”. Imagine the implications keeping it would have had on every aspect of the album including of the music’s most recognizable album cover which features a ominous picture of the famous Beverley Hills hotel at sunset.

The second set was a 17 song montage of songs celebrating the band’s greatest hits as well as Joe Walsh’s long and industrious career. It was great to see Joe, in his distinct voice, telling stories of his solo life plus his time with the James Gang and then busting into songs like Life’s Been Good and Funk #49 respectively. The aforementioned Deacon Frey, who has an oddly nervously shy stage presence, also hit the stage to perform a couple of Glenn heavy tunes including Take it Easy and Already Gone.  The 4 song encore paid homage to Don Henley’s solo career featuring the band’s version of the perennial hit “Boys of Summer”. 

Eagles with Supporting Orchestra

In the end, it was a celebration of an iconic band with a turnstile of controversial members who were one of the first to fuse country sounds with classic rock. It also paid respect to the illustrious careers of it’s remaining individual members. As for the venue, I can’t tell you why they built it where they did (it would be much better if this major hub of Ottawa entertainment was in the city) because although it was a great show, the trek to get there and back with parking was certainly a whole lot of wasted time.

Setlist

Hotel California Album set

  1. Hotel California
  2. New Kid in Town
  3. Life in the Fast Lane
  4. Wasted Time(with orchestra)
  5. Wasted Time (Reprise)(played by orchestra)
  6. Victim of Love
  7. Pretty Maids All in a Row(with orchestra)
  8. Try and Love Again
  9. The Last Resort(with orchestra and choir)

Greatest Hits Set

  1. Seven Bridges Road (Steve Young cover)
  2. Take It Easy(with Deacon Frey)
  3. Peaceful Easy Feeling(Jack Tempchin cover) (with Deacon Frey)
  4. One of These Nights
  5. Take It to the Limit(with orchestra)
  6. Witchy Woman
  7. In the City(Joe Walsh song)
  8. I Can’t Tell You Why
  9. Lyin’ Eyes
  10. Tequila Sunrise
  11. Life’s Been Good(Joe Walsh song)
  12. Already Gone(Robb Strandlund cover) (with Deacon Frey)
  13. Funk #49(James Gang cover)
  14. Heartache Tonight

Encore

  1. Rocky Mountain Way(Joe Walsh song)
  2. Desperado
  3. The Boys of Summer(Don Henley song)
  4. Best of My Love

Iron &Wine/Andrew Bird-July 31, 2022 Levitt Pavillion Steelstacks- Bethlehem, PA

Musically, Bethlehem is probably best known for Musikfest, a multiday festival with a wide variety of music ranging from local bands to larger venues with keynote acts. It’s a good time but is super busy and usually hot as hell given the fact it’s held during the dog days of summer which are near unbearable in Pennsylvania. I have a couple of the commemorative mugs on a shelf in my basement. Outside of the festival itself, it is a draw for many artists who can utilize a number of the available venues. This was the case with the Outside Problems tour with Iron & Wine and Andrew Bird as co-headliners. A dramatic shift from the Rage concert I saw the weak before, these artists offer a folk rock experience with plenty of acoustic guitar, clever lyrics and even some whistling.

The Levitt Pavillion is an outdoor venue located in the Steelstack area of Bethlehem. Steel, of course, is quintessential in defining the identity of the town (just listen the the song Allentown by Billy Joel). The stage is surrounded by symbols of the industry including old warehouses and silos which are laced with colourful lights, creating a unique and down-home setting which appeals to any musical genre. 

I wanted to go to this concert for a couple of reasons. First, Iron & Wine was one of the concerts I missed out on when covid broke. I had tickets for Echo Beach in Toronto in 2020 but the show was never rescheduled. Second, I have family that live just outside Allentown so I could combine a visit with the show. Full disclosure..I wasn’t nearly as familiar with Andrew Bird but with a few listens on Spotify and a Grammy nod I didn’t need much convincing. 

One thing I’ve come to appreciate as much as the artists is the fan base. As I’ve aged and diversified my musical spectrum, I enjoy taking in the array of fans that show up for shows. Some are very predictable while others are a bit more surprising. In this case, there were a lot of what one might expect..a rather wide age range and dress typical for a midsummer rainy night speckled with bohemian flair.

Iron & Wine, aka Sam Beam, using his grizzly yet gentle persona, started the show with an eight song featuring a mix of tunes from his two decade music career ending the set with “Call it Dreaming” which is one my favorites from his 2017 Beast Epic album. He’s actually quite humorous and frequently infused clever and thoughtful insights throughout his set. 

Iron & Wine Performing

Andrew Bird was next and also delivered an eight song set which focused primarily on his 2022 release Inside Problems but he also performed others including arguably his most popular tune Sisyphus, a catchy song featuring his trademark whistling. He was less charismatic than Beam but was still entertaining considering his use of the violin, ukulele, pedals and the aforementioned whistling as part of his set.

The two then combined efforts for half a dozen songs, alternating between each others’ creations. The highlight was “Flightless Bird, American Mouth”, an Iron and Wine ballad best known as part of the Twilight movie soundtrack. The show ended with a few more from Bird including a single song during the encore.

Andrew Bird and Iron & Wine

All in all, the Levitt Pavilion was a great place, despite the light rain, to see a folky concert during the summer. There is decent beer (both in selection and price) and ample room to wander while still having good audio and visual access to the show. As is often the case, the fan watching was an enjoyable as the concert itself. As for the concert itself, I particularly liked the back and forth collaboration which provided unique versions of half a dozen of the artist’s more recognizable songs.

Setlist

  1. Love Vigilantes(New Order cover)
  2. On Your Wings
  3. Jesus the Mexican Boy
  4. Lovers’ Revolution
  5. Why Hate the Winter
  6. Big Burned Hand
  7. Autumn Town Leaves
  8. Call It Dreaming
  9. Make a Picture
  10. Lone Didion
  11. Atomized
  12. Bloodless
  13. Sisyphus
  14. Stop n’ Shop
  15. Underlands
  16. The Night Before Your Birthday
  17. Flightless Bird, American Mouth
  18. Oh No
  19. Muddy Hymnal
  20. Left Handed Kisses
  21. Father Mountain
  22. Manifest
  23. Pulaski at Night
  24. Never Fall Apart
  25. Encore: Three White Horses

Rage Against the Machine- July 25, 2022- Keybank Centre- Buffalo, New York

One of the advantages of living in London, Ontario is that there are a number of good concert venues within a 2 hour radius. In many cases, if a band doesn’t come right to London, they will do a show in Detroit, Buffalo, Hamilton or Toronto. Sometime I peruse all three venues looking for the best seats and price for a show. Such was the case for Rage Against the Machine. I remember frantically flipping through my phone looking for the best seats before settling on the Keybank Centre in Buffalo.

This concert was originally scheduled for the summer of 2020 and was bumped twice because of covid restrictions. I figured hey…I waited 30 years to see them so another couple of years wouldn’t hurt. My only worry was the fact that Zack de la Rocha tore his ACL at the beginning of the tour so the expectation may be that the level of energy may be a little lower than normal. 

Most of my trips to Buffalo either start or end with a trip to Charlie the Butcher. This institution is a staple in Buffalo culture best known for Charlie’s hardhat and a beef on weck that Geoffrey Zakarian once called the best sandwich he ever ate. Honestly, I can’t disagree. Coupled with any of the stellar sides they offer (I’m usually up for the cole slaw), this is a can’t go wrong lunch. 

Charlie the Butcher’s Beef on Weck

Once we settled into the hotel, it was time for some preconcert drinks and dinner. A quick walk up Main Street brought us to the Other Half Brewing Taproom, a roomy space with an array of games and plenty of seating. I recall this brewery has a big focus on big and boozy New England style IPAs so had to limit our consumption to one.

On the way to dinner we said hello to the Nikola Tesla statue which made me remember the significant contribution he made to the Western New York power grid while hob knobbing with the turn of the 20th century tycoons. I only mention this because it may in fact be machines like this that Zack et al. have raged against for three decades. 

Nikola Tesla Statue

Dinner was at the Pearl Street Grill and Brewery, a large and historic restaurant known for its numerous bars and great views. We sat on the patio and got to experience Buffalo’s trademark wind while sipping Don Cherry Cherry Wheat and munching on mussels along with Buffalo staples including wings and a kielbasa platter.

The show itself was exactly what I expected…a greatest hits compellation surrounded with an aura of angst and plenty of choreographed strobe lights. Although I missed Zach pounding the stage with his flare of old, despite sitting he didn’t disappoint from the waist up and the remaining band members energetically filled in the gaps. The show opened with Bombtrack and we were immediately reminded in big bright letters that “Fear is your Only God”. About half way through the show Run the Jewels, the opening band, came back out to jam to Close Your Eyes (And Count to Fuck). This was immediately followed by one of my favorites, Down Rodeo, in which Zack mimicked using a shotgun to emphasis the corresponding lyrics. Toward the end, the billboard flashed “Abort the Supreme Court” (I believe with “Freedom” playing in the background) in response to the anti-abortion decision a month prior. Fittingly, the show ended in the same manner as pretty much every bar experience I had during university in the early-mid 90s; a crowd sing along to “Killing in the Name of”. 

All in all, it was a triumphant return to big tickets concerts following the covid hiatus and another older school band I could cross off my bucket list and it completed my holy trinity since I had already seen Audioslave and Prophets of Rage previously. I enjoy Buffalo and it’s blue collar vibe as a city (especially when I’m tailgating at a Bills game) and Keybank centre is a decent larger venue to catch as show. I was also reminded me that, although I have aged and my musical tastes have simmered somewhat, I can still appreciate an aggressive political antics as much as a more subtle message in sync with the subdued strumming of an acoustic guitar.

Setlist

  1. Bombtrack
  2. People of the Sun
  3. Bulls on Parade
  4. Bullet in the Head
  5. Testify
  6. Take the Power Back
  7. Wake Up
  8. Guerrilla Radio
  9. Close Your Eyes (And Count to Fuck)(Run the Jewels cover) (with Run the Jewels)
  10. Down Rodeo
  11. Know Your Enemy
  12. Calm Like a Bomb
  13. Sleep Now in the Fire
  14. War Within a Breath
  15. The Ghost of Tom Joad(Bruce Springsteen cover)
  16. Freedom
  17. Township Rebellion
  18. Killing in the Name

Blackberry Smoke- June 3, 2022 (rescheduled from April 8, 2022)- London Music Hall

It comes as no surprise that my first attempt at a post-covid concert was cancelled. After playing the night before in Toronto, ticket holders were sent an email explaining that Charlie Starr, the band’s lead singer and guitarist of Blackberry Smoke (a band I stumbled upon on Spotify six months earlier), contracted covid and couldn’t perform. The concert was pushed back a couple of months and thankfully was still scheduled for a Saturday night making it ideal for preconcert edibles and/or a few pints without regret the next day.

The London Music Hall is a delightfully dingy venue which holds abut 1600 people. Most of it is standing room only on the floor but there are a number of reserved seats on the mezzanine level. It draws a good number of bands and promises a much more intimate experience providing you don’t mind competing with other patrons for a spot close to the stage.

Once again, covid alerts were still rather high and I couldn’t help at snickering while thinking about the typical demographic a southern rock band would attract. I almost expected to see shady peeps outside selling fake covid vaccine certificates as opposed to marked-up resale tickets for the show.

The band was kind enough to invite some local talent to open the show. Sarnia’s The Cody James Mitchell Band, who tout themselves as a band who plays Blue Collar music, kicked off the show with short but impressive set which paired well with what was to come.

When the smoke finally hit the stage, they busted into a 22 song set with music spanning their entire career characterized by frequent guitar changes, an abundance of sing along and a two song encore ending with Ain’t Much Left of Me. Once again, I found the noise level a bit much but, like the Glorious Sons concert a month and a half before, I attributed this to doing nothing but listening to spotify on my JBL speaker for two years prior.

Charlie Starr of Blackberry Smoke at London Music Hall

In my opinion, Blackberry Smoke are one of the more underrated bands, not only in the country-rock genre, but in music in general. I can’t complain, however, as I have the benefit of seeing them in a small venue like the London Music Hall with only Stone Cold Steve Austin, a couple of setlist bunnies and a dude with a plaid shirt and a leather shoulder patch standing between me and the band.

The Glorious Sons- April 20, 2022, Budweiser Gardens, London, ON

This was the first concert I attended since covid ended live music for everybody. Budweiser Gardens in London, Ontario, is a medium sized venue that has the advantage of being an attractive venue for good Canadian artists who draw a decent crowd and is a large enough pit stop for those playing Toronto and/or Detroit.  Over the years, I have seen the likes of Avril Lavigne and Simple Plan (collected dad points doing this) as well as international favorites including Linkin Park, Audioslave, Elton John and Stone Temple Pilots. I was even dragged to a Def Leppard concert and was luckily saved by the ability to consume numerous pints of expensive draft to barely make it through the night.

On this night, I had decent seats (lower bowls) for the Glorious Sons. Some people, especially Hip fans, may refer to them as Kingston’s other band.  They bring a hard rock sound synonymous with 90’s Canadian bands such as I Mother Earth and Big Wreck. Despite the hesitancy of the local health unit to allow people to hang with thousands of their closest friends, the arena was rather full .

Glorious Sons concert from the 100’s at Budweiser Gardens

As early as the first song, I realized that my ear drums were not accustomed to anything louder than what emitted from my tabletop speaker during the two years of covid shutdown.  Although it was freaking loud (please refrain from ageism here..), I immediately felt a tinge of relief and for the first time since March 2020 thought there was some semblance of normalcy and a partial return to everyday life.

It was a short set of 13 or so songs with a focus on their 2015 and 2017 releases the Union and the Young Beauties and Fools respectively. They played well known tunes like White Noise and S.O.S. Toward the end, the crowd was more than willing to sing along to Josie, a song about a woman who fancies booze, drugs and men’s clothes….probably not much of a stretch from many in the crowd who spend two years doing exactly the same thing. In fact the crowd was asked to participate in a few other tunes even after chanting about Josie because the lead singer was having voice issues.

Since this concert was quite a while ago so I can’t remember specific details but I do remember needing to prove I was vaccinated, the ear shattering noise level and probably my first real sign that things may one day return to normal. The Sons are returning to London in early December in support of their new album “Glory”. I’m on the fence about going..on one hand I feel I would enjoy the full experience I didn’t get last year but on the other hand I feel like I’ve been there/done that. Plus, I’m awful at karaoke and don’t want to get called on to lament about my poor heart yet again.

A Concerted Effort To Regain My Musical Extraversion After Two Years of Spotification- An Introduction

It’s been a while since I’ve authored anything. Like most, the covid pandemic threw a wrench in my creative process and like most, stifled road trips worth writing about. Even when some normalcy of travel returned, a combination of writer’s block, stubbornness and laziness became my mantra. I figured it’s time to shake off the cobwebs and document a few experiences.

I’ve become a bit concert crazy in the last year. Something about catching a live band is a surreal if not a religious experience…many concert halls have become churches so my mission became to catch as many bands in as many venues as possible. Although I can’t brag about hitting up the Apollo or Whisky A Go Go, I’ve been privileged to see some pretty cool artists in some pretty cool venues. In many cases, these concerts were also surrounded with a bit of extra fun which I will attempt to relive in subsequent posts.